Maureen ‘Mo’ McFadden is owner of McFadden & McFadden P.R. based in Santa Barbara. The public relations firm, which opened its doors in 1992, specializes in working closely with arts, non-profits, food & beverage, health & human services, environmental and entertainment companies to create an overall image and/or design a publicity campaign for a specific event. Loving the work she does is a big part of her success. McFadden has worked on both sides of the P.R. fence – as a writer and press agent – giving her a highly qualified approach in presenting stories to the media. Maureen has won several awards, all acknowledging her work over the years for arts organizations and from the media for the constant and reliable PR she provides.
Prior to moving up to Santa Barbara in 1989 from L.A., she wrote for The Hollywood Reporter (‘83-‘86), served as Senior Account Executive in the TV department at Rogers & Cowan and as the trade paper liaison at Hanson & Schwam (‘86-‘87). At the latter firm, she handled PR duties for Julie Andrews, Blake Edwards, writer/director/producer Jimmy Komack, author Harold Robbins and composer Jerry Goldsmith. At Rogers & Cowan she handled TV accounts: “Gimme A Break,” “Hour Magazine,” and “Mr. Belvedere” along with countless pilots that never made it on the air.
Mo toured the U.S. & Canada with her then husband, a professional truck driver, in a 44’ semi for two years on rock ‘n roll tours (1981-1982) with Stevie Wonder, The Moody Blues, Loverboy & Bryan Adams, The Tubes, and Kenny Rogers. Her CB handle was “The Shutterbug.” 10-4 good buddy. Together, they crisscrossed the U.S. 17 times and did one tour across Canada from Halifax to Vancouver with the Canadian bands.
While living in New York City, pursuing a career in the theatre, she worked for the U.S. manager of Monty Pythons Flying Circus for the troupe’s Broadway debut “Live at City Center” in 1975 and continued to work for that manager until landing a job at one of NYC’s great cabaret’s “The Bottom Line” where she worked for the club owners and left after a few years when she got an offer to work at High Times Magazine where she was executive assistant to the rebel founder/publisher/EIC Thomas King Forçade.
McFadden grew up outside Philadelphia, where she studied theatre and became a member of the acting company @ Hedgerow Theatre (1970-73) and worked at Manning Street Theatre in Philadelphia where she portrayed Iphegenia in playwright David Rabe’s “The Orphan” with actor Thomas Hulce as Orestes (Mozart in ‘Amadeus’ on Bdwy & film). She studied multiple dance forms - classical, jazz, tap & acrobatics for more than 20 years. Mo was named “Best Dancer” in her H.S. graduating class. A great acknowledgement of my dance talents which I credit with giving me the discipline to open my own business when being on stage didn't go as planned. Things I learned as an actress are also tools of my trade and I love having the training the dance & theatre gave me.